Painter born in the city of Buenos Aires. He was a disciple of the Catalan master Pedro Roca and Marsal. Being very young people frequent the environment of painters in the neighborhood of La Boca, locking a personal relationship with teachers Quinquela Martin and Oscar Vaz. Make numerous collective and personal exhibitions, receiving critical praise from the public, in Buenos Aires, Hamburg and Rome. His works are in private collections in Italy, Spain, France, Germany, Japan, South Africa, Brazil, Chile, USA. Among the distinctions mentioned obtained the Grand Prix Annual Hall of Honor of the Navy, Naval Center of Buenos Aires. Living room paint that was said Salon jury on two occasions. ................................ César Novelletten climates painting live in an age in which many artists believe that true creativity is to jettison the pictorial tradition and try something new. Others believe that it is never said in any field of artistic creation and it is possible to provide a creative sense without resorting to such drastic determination. Thus, reworked from an updated treatment issues and plastics have a past that is still alive. Among the latter we find Novcelletto Caesar in his paintings addressing the traditional genres of landscape, still life and marine. The globalization process not only puts into question notions about time, reducing everything to a present that is exhausted in the moment-but also affects the traditional sense of space. In that regard, it is left to one side belonging to a place and a particular environment to put the emphasis on relocation lacking a recognizable spatial identification. Without rootedness in space and time, we are moving a culture of the ephemeral and circumstantial. Against this, there are artists who oppose his images an identification with the space and time, using the affective memory of recurrence points which are shared symbols of identity. Boca updated Novelleto tradition that the passage of time has not made clear by adding its own view today. It is not necessary to appeal to nostalgia to do so. So reconstructing climate, without making her paintings a mere representation of manners, anchored in the typical. Their boats in the port of La Boca are more significant for its magical and mythical world that remains intact today, that a precise reconstruction of a medium that identifies your past, so this, on the other hand, in a long list of painters who were able to transcend the story to create the myth of one of the most representative places of Buenos Aires, yesterday and forever. Thus, this artist updates the mythical tradition Boca enriched from today. With the landscape of the pampas of Argentina and the Buenos Aires suburb same thing happens. Novelletten not stay cold in a realistic and documentary but tries to recreate an environment that tells them more than they could provide the amount of detail. It is in this sense, also a creator of climates, and can overcome them, the conventional. The artist enhances the spontaneous gesture of the stain, which translates into a sensual atmosphere with color, with its tones and measured. This is seen also in his still lifes, flowers and interior issues. His painting is, in all cases, warm and harmonious, without exaltation or remedies. No seeking grandstanding. This lets you transmit sensuality expressive warmth that is contagious and helps us see life from a positive perspective. The use of color, according to their communicability sensual, the use of light and loose brush that does not adhere to a design that encloses the forms. opening them, however, by the feelings aroused are other painting that the artist used to advantage. In that sense, Novelletten helps create illusion, showing how, from a realistic perception may rise to a more spiritual level. Nietzsche said that since the terrible truth only art is capable of providing the man with the need for illusion you have. That is why art takes us to dream with open eyes and look beyond ourselves. Something that now, without doubt, we need more than ever. Fermín Fèvre Buenos Aires, April 2005.

Email cesarnovelletto@yahoo.com.ar